How do the approaches to montage in French New Wave films differ from those used by Sergei Eisenstein?
Both Eisenstein and French New Wave filmmakers used montage primarily to create a sense of rhythm and movement.
Eisenstein's montage techniques were primarily focused on creating intellectual connections, while French New Wave filmmakers used montage to create emotional responses.
Baroque art features strong contrasts, while Rococo art prefers more subtle transitions
Baroque art is generally larger in scale than Rococo art
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